1SHOTDOT: November 2010

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Tuesday, November 30, 2010

This Week's iTunes Top 10 Singles & Albums


For the week ending Nov. 29, 2010.

image from cdn.erictric.com Top 10 Singles
1. "Firework," Katy Perry
2. "Raise Your Glass," P!nk
3. "We R Who We R," Ke$ha
4. "The Time (Dirty Bit)," Black Eyed Peas
5. "What's My Name?" Rihanna, Drake
6. "Grenade," Bruno Mars
7. "Only Girl (In the World)," Rihanna
8. "Just the Way You Are," Bruno Mars
9. "Like a G6," The Cataracs,
10. "Bottoms Up," Trey Songz

Top 10 Albums
1. "My Beautiful Dark Twisted Fantasy," Kanye West
2. "Pink Friday," Nicki Minaj
3. "Burlesque," Various Artists
4. "Glee: The Christmas Album"
5. "Cannibal," Ke$ha
6. "Loud," Rihanna
7. "Danger Days," My Chemical Romance
8. "Speak Now," Taylor Swift
9. "Sigh No More," Mumford & Sons
10. "Come Around Sundown," Kings of Leon

Wednesday, November 24, 2010

Find Paid Artist Opportunities Through Indaba Music


image from creativecommons.org Indaba Music has launched its Opportunities Marketplace. With this dedicated platform, they aim to provide musicians with easy, quick access to paying gigs. For musicians, brands, and marketers, among others, this creates a go-to place for posting everything from simple wanted ads to full-blown sponsored competitions that feature custom voting and widgets.
At present, Indaba Music specializes in collaboration and content creation, but they aspire to broaden their reach and also generate recognition and income for musicians too. While many of the current opportunities are based around remix competitions – their specialty – there is also a chance to collaborate and record a melody with a musician, as well as, a licensing opportunity to create theme music for jewelry stores. Nothing to quit your job over just yet, but as time goes on, the platform is likely to grow and host even bigger paid music opportunities.

We're A Generation Of Concertgoers, Not CD-Buyers.

interview segment with Hannah, who is the writer behind File Sharing Represents New Generation. She could very well be the new music consumer, depending on who you ask. I found her short essay online and thought it was be an interesting take on the current happenings in the music industry – from the perspective of someone not as deeply as entrenched as most of us. In part two, Hannah shares her thoughts on how the free flow of music has benifited artists and what fans are willing to pay for.
Do the advantages of the free flow of music—for fans and artists alike—outweigh the disadvantages? Or, is it the other way around? Why do you think artists should embrace the flow of music rather than stigmatize it?
Hannah: I really feel as if the free flow of music increases fandom for artists, which ideally, is the goal of being a musician anyway. My absolute favorite band, the Avett Brothers, I never would have even heard if one of my friends hadn’t said, “Hey, listen to this band. Here, I’ll burn you a couple of CD’s.”
Because of that, I have already paid $300 for a Bonnaroo ticket to see them, and I would absolutely pay more money in the future to see them again.
My generation is a generation of concertgoers rather than a generation of CD-buyers. Our favorite artists are starting to come to much more accessible venues than previously, like clubs and even college campuses. I think that is a sign of artists recognizing and beginning to embrace the changing listener-ship.
What are fans willing to pay for? If they won't pay for digital downloads of music, how else are they planning to support the creativity of artists? In what instances do you feel inclined to buy music, compensating an artist?
Hannah: Fans are absolutely willing to pay for concerts. And all this is not to say that we will absolutely never download legally from iTunes, etc. We will, if we can’t find another easy way. Really, it's all about accessibility.
If someone we know knows how to get it for free, then of course we will do that. But if it's easier to log on and buy it, we’ll do that too.
Fans are also willing to listen to ads; Pandora has ads now, and many websites like HypeMachine have limits where you can’t skip through songs. That, in addition to being a restriction that we are willing to put up with, also exposes us to stuff we wouldn’t necessarily listen to otherwise.
How has the web changed and fueled your fandom? Are more fans becoming actively engaged in their cultural lives? Or, have we entered an era defined by more passivity and the failure of fans to pay for music?
Hannah: I definitely think we are becoming more actively engaged. The accessibility of the internet doesn’t just make us lazy and unwilling to pay for things, but it makes it much more easy, and frankly, trendier, to find new music.
There’s so many really cool Web sites out there that people go to, and even the music industry is seeing how cool the fluidity of music has become. Watch MTV; it’s not really even Top 40 anymore. I mean, you’ll get the Top 40 stuff, but half of the commercials on TV today have dubstep in the background.
What are the primary sites and ways that you consume music?
Hannah: LimeWire was probably the most primary way up until recently, but we still use iTunes a good bit as far as downloading goes. However, I would say that to discover music we generally use Pandora and HypeMachine.
In fact, I would say I download a lot less on iTunes now that I have my Pandora pretty specialized; I know that while I may not be able to pick exactly what I want to hear, I will probably hear one of my favorite songs during the time I’m listening.
We also go to a lot of shows; people at my school at least think nothing of going to concerts in Atlanta and Nashville, and we also go to a lot of local shows.

Sunday, November 21, 2010

Why Your Website Sucks via http://www.sketchworkspro.com/


Alot of websites suck these days and we have reason to believe that, more than likely, yours does too. Here’s why.

Your website doesn’t do much

Back in the days when flash intros and animated scrolling marquees were the hottest things on earth, it was okay to have a website that was purely informational.  But now, internet users are restless. Not only do they scan through websites quickly but most of them have the attention span of 10-year-olds so just having a website for informational purposes isn’t gonna cut it anymore.  These days, your website needs to engage users, be interactive, encourage participation, entertain your users—just do something other than the tired old welcome page, contact form, and portfolio.

Your website’s not making a difference for your business

We hate to break it to you, but if your website isn’t helping your business with its bottom line, you’re wasting your time. There are a lot of businesses out here with websites that look great and provide good information, but ultimately, their business is still struggling to gain exposure, make more sales and boost their revenue. And why? Because they look everywhere under the sun for an answer to the marketing problems their facing, when the most logical solution is right in front of them: creating a company website that works for their business. And we don’t just mean making a website that looks good, but one that will help them achieve even their most difficult marketing problems. Think about it. If you need more sales, exposure, more leads, etc., why not tailor your website to help your business with those goals?

Because you haven’t hired a company like us

Okay, we’re kidding with this one, but our point is that you need to make sure you have a reliable website developer or interactive agency (like us here at Sketchworks) who not only can help you build an effective website, but can also help guide you and your business and advise you on what your website needs to stay ahead of the curve, stomp your competition, and win over consumers. This type of knowledge you can only get with a client-focused group who’s only mission is to produce money-making results for its clients.
So tell us, does your company website suck?  Leave us your thoughts in a comment below.

4 Ways Bands Can Cash in Online Without a Label

We see you out there — the future musicians of the world, pouring coffee, mixing drinks, designing websites for shifty moving companies, all the while dreaming of making it big: signing to a label, cutting a record, reaping the benefits that only a throng of gaping groupies can herald.

While not all of you will make the proverbial “Big Time” — we can’t all be Lady Gaga, nor should we strive to be — that doesn’t mean that you can’t reap some monetary benefits for your musical labor.

Jeff Price, founder of TuneCore, recently wrote on the company blog: “More musicians are making money off their music now [than] at any point in history… Technology has made it possible for any artist to get distribution, to get discovered, to pursue his/her dreams with no company or person out there making the editorial decision that they are not allowed ‘in.’”

We would tend to agree (with the caveat that such openness has also led to a more crowded music scene, with more bands fighting for the public’s attention — but that’s a post for another day).

If you want to start seeing some payback for all your hard work, you don’t have to wait around for a label exec to catch your jazz flute set at the local coffee shop and catapult you to stardom. There are a ton of services out there that can help you make some cash, while also gaining exposure and experience.

Mashable (Mashable) spoke with folks from a quartet of such services in order to help you, the artist, devote more time to your lute than those lattes.

Note that none of the below are get-rich-quick schemes, so it might be wise to hang onto your day job — even if it is designing graphic tees for tiny dogs.
Go Into Show Business

Service: Jingle Punks

We know, we know, the moment a song makes it into the commercial, it’s an immediate sign that a band has “sold out.” But, c’mon, guys — do you really want your favorite drummer/banjo player/keytarist working in a taco trunk in order to survive? Yeah, thin may be in when it comes to the indie scene, but musicians need to eat, after all.

That’s why services like Jingle Punks can really be a boon to bands. Jingle Punks — which is basically the Pandora (Pandora) of music licensing services — focuses on providing filmmakers, TV networks, media companies and ad companies with music from up-and-coming bands. Band and Punks split the earnings 50/50.

“We work in a very smart but unsexy part of the music business,” says co-founder Jared Gutstadt. “Most artists tend to spend their time focusing on the old standards of how to ‘make it.’ They’re still thinking about record deals, pub deals, merch, touring. To really stand out and compete with this type of competition you need to be thinking about launching a music career in a much more unique way.”

Why Use This Service?

According to Gutstadt, “Music in film and television is a great way for artists to get the word out there. More importantly, you can generate money to help fund the growth of a band’s musical endeavors.”

In addition, the service makes use of the democratic nature of the web to get your music into the right hands. “In the past, the way people used to pitch music for media placements is that they would mail CDs off to as many music supes or producers they could,” Gutstadt says. “We have removed the giant pile of CDs on peoples’ desks and aggregated them into a user-friendly database organized in a dynamic way.”

What’s the ROI?

According to Gutstadt, money made runs the gamut. “It can be anywhere from $250 for a web placement all the way up to $30,000 for getting music in a commercial or motion picture,” he says. “[Mostly], you make money over time through royalties paid out by BMI and ASCAP, who are able to track usage. I always tell artists its not a get-rich-quick scheme as much as it is a way to make some money over time off your hard work.”

So Who has Succeeded?

“We work with an artist named Mike Del Rio (see above) and his music was used in a rebranding effort by the History Channel. The channel has really embraced Mike and Jingle Punks and has a couple things in the pipeline that could do great things to really help launch Mike Del Rio’s career on a more mainstream level.

“We also work with a really great band called I Love Monsters, and their music was placed in the season premiere of Entourage. This type of exposure can be great for an up-and-coming band.”
Collaborate

Service: Indaba Music

We’ve seen instances of bands forming partnerships through Twitter and the like, but wouldn’t it be easier for y’all to have everything in one place?

I mean, it’s enough of a hassle to get all your gear into a single taxi (can’t afford two) before a gig, why add 50 social media tools into the mix? That’s where services like Indaba Music — which is like the LinkedIn (LinkedIn) of music — come in.

Indaba is a platform — boasting more than 500,000 musicians — that provides musically inclined folks with a place to build a profile, promote their tunes and collaborate with other musicians from around the world.

Why Use This Service?

According to co-founder Dan Zaccagnino, “There are many ways for musicians to make money using Indaba Music. The core of the platform is about collaboration, which can be just for fun, but can also generate income for musicians through work-for-hire sessions (where a musician is paid for his/her tracks) or collaborations where songwriters share in the ownership of the song.”

In addition, Indaba features a ton of contests that “give both amateur and professional musicians a chance to collaborate with world-famous artists and in the process win cash or possibly participate in future royalties if the winners’ material is released,” Zaccagnino says.

What’s the ROI?

“There are incredible opportunities to gain experience on Indaba because the community is full of everyone from amateurs eager to learn, to music educators, to Grammy Award winners,” Zaccagnino says.

“Members learn from one another through contacting and communicating with people online, having music peer reviewed in sessions and contests, learning from master-artists through our Artist-in-Residence programs, taking online video lessons, and much more.

“Education is a big priority for us and it’s been amazing to see that organically happen because musicians are interested in helping one another.”

So Who has Succeeded?

Zaccagnino cites the following examples:

Linkin Park + NoBrain (see above)

Indaba member NoBrain’s mix was included on Linkin Park’s album A Thousand Suns and got the opportunity to collaborate directly with Linkin Park front man, Mike Shinoda, through Indaba Music.

Rivers Cuomo Producer Sessions

Rivers Cuomo of Weezer started a few sessions on IndabaMusic.com and began working with members to produce rough demos that he had written with his wife. Rivers used Indaba’s session platform to work collaboratively, utilizing the commenting system to engage musicians and achieve exactly what he envisioned. The producers were also paid for their work.

David Minnick/PBS The Music Instinct

PBS ran a contest to source music for an upcoming show about music and the brain. It found the winner, David Minnick, to be so talented that it hired him to arrange music for another show.

Toshi Osawa and Pikes Peak Ringers – Yo-Yo Ma Collaboration Winners

Yo-Yo Ma was so impressed by the quality of musical collaborations that he picked two winners, an 18-piece hand bell choir from Denver and a speed-Metal guitarist from Canada. Yo-Yo invited them into the studio to record with him in a truly unique collaboration — both tracks were later released as bonus tracks to Yo-Yo Ma’s holiday album, Songs of Joy & Peace.

Partner Up

Service: YouTube’s Musicians Wanted Program

At last year’s SXSW, YouTube (YouTube) launched a partner program for up-and-coming musicians, and, just recently, the program went from U.S.-only to international.

If you have a YouTube channel, and you’re pumping out the music vids like an A-V nerd on a sugar high, you should apply for this program post haste. Basically, it allows you to make some extra cash by adding ads to your videos and garners you more exposure from YouTube with prime placement.

Why Use This Service?

It’s all about getting your name out there, and getting your music heard, right? So go where the people are. Every day, YouTube racks up more than 2 billion video views. That’s a lot of eyes. Still, every minute, the site sees 24 hours of video uploaded, which means your genius work could get lost in the shuffle. That’s why the partner program is a must — you get the YouTube stamp of approval, which brings more attention to your work.

What’s the ROI?

YouTube couldn’t tell us how much money you can earn from the program, but they did tell us that artists get the majority share of the revenue — not to mention access to those millions of viewers. You need to be consistent with your channel, though, and really focus on putting out lots of original content. So if you’re only down to make one vid, this might not be the option for you. In order to see ROI, you have to put in the time and effort.

So Who has Succeeded?

YouTube has helped launch the careers of score of performers — from Justin Bieber to Pomplamoose.
Kina Grannis is one such artist. “I joined YouTube three years ago when I was in a contest called Doritos Crash The Super Bowl,” Grannis told us. “I needed to get people to vote for me every day in order to get my music video played during the Super Bowl (which it did, woo!), so the hope was that by agreeing to post a new video every day, people, in exchange, would come back and vote daily. This run of putting up a video every day lasted about two months in total, and while it made me crazy and sleep deprived, it was also fun and exciting and very helpful in growing my viewers.

“Post with consistency if possible,” Grannis advises artists. “Be genuine, talk to your supporters, be grateful.”
If You Can’t Beat Them, Join Them

Service: BitTorrent Featured Artist Program

OK, we know what you’re thinking — you hear the word “BitTorrent” and you’re about ready to rage, am I right? File sharing is the monster under the bed for many an artist. It connotes theft, basically. Still, the model — when used correctly — can really be a boon to lesser-known artists.

We spoke to Trent Reznor — who is well-known for having released his music via torrent sites in the past — who told us: “I felt furious when the record I’d worked on for a year, that my heart and soul’s gone into, [leaked]. I’m pissed off at people that are listening to it. I’m mad that they’re snubbing me — by what? By being excited about hearing my music? And that’s wrong. I shouldn’t be mad at these people. I should be glad that people are interested.”

“Easy for you to say, Trent Reznor,” you might scoff, “You’re already famous.” Well — there’s the rub, right? You’re not famous. And you want to be. Or, at the very least, you want someone other than your roommate to come to your gig — and perhaps buy a T-shirt or two. And how do you do that? By getting the attention of the masses, of course.

Last month, BitTorrent launched a Featured Artist pilot program in an effort to give musicians more exposure. Some likened such an endeavor to getting in bed with the devil, but when you really think about it, what’s the difference between applying for the program and putting your music on MySpace (MySpace) or SoundCloud or any other music-sharing site? Well, that would be BitTorrent’s 80 million users.

We’re not saying that file sharing is totally copacetic or anything (there are a lot of pirates in them waters), but it’s not like BitTorrent is out to ruin your career, either. “In many ways, Trent Reznor’s work inspired a lot of our work,” says CEO Eric Klinker. “We really do want to riff on a lot of what he’s done. He’s in an experimentation phase, as are we.”

Why Use This Service?

“The Featured Artists pilot program encourages musicians and filmmakers to submit creative works for the chance to be spotlighted to millions of BitTorrent users around the world,” Klinker says. “For a lot of artists it is about creating a sustainable business model that will allow them to continue their creative works. So, we are interested in working with artists to experiment with various business models that play to the strengths of the Internet (Internet) while allowing them to tune into the distribution potential of BitTorrent to reach millions of consumers.”

What’s the ROI?

“In today’s digital age, the traditional model does not serve artists in the same way it used to, and instead forces them all down the same funnel where only a select few ultimately receive distribution,” Klinker says. “With BitTorrent’s Featured Artist Pilot Program, artists can tap into online communities and reach millions of people who might otherwise be inaccessible. These communities are powerful and provide intrinsic value for emerging artists trying to build a fan base. In doing so, these are fans that will invariably attend shows, purchase merchandise and become invested in future works.”

So Who has Succeeded?

Since the service just launched last month, there aren’t any featured artists yet, but the site has seen some success with the musician PAZ (see above), who has been working with BitTorrent.

“Most recently, in August 2010, BitTorrent released PAZ’s debut mix tape, Young Broke and Fameless,” Klinker says. “On the first day alone the release saw over 100,000 downloads, and as a result has increased his fan base and following.”

Video: What Makes An Influencer?

image from static.technorati.com What makes an influencer? This short documentary raises that question, it explores what it means to be an influencer.

It also looks at how trends and creativity become contagious in music, fashion, and entertainment.

INFLUENCERS FULL VERSION from R+I creative on Vimeo.

Wednesday, November 17, 2010

Innovators Go It Alone by Ndubuisi Ekekwe


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For a long time, Ford, Chrysler, and GM followed the same strategy: they built big gas-guzzlers. Asian competitors attacked that model, took market share, and transformed the U.S. automobile industry.
Also for a long time, Yahoo and AOL offered email customers 4MB of storage. Google came out with Gmail and provided a free 1GB email account (250 times as much). Many switched.
In both cases, the new entrants attacked a reliable business model and disrupted a market in which the incumbents competed by cooperating, tacitly agreeing to procedures that ensured that the industry as a whole remained continuously healthy. Indeed, terms like "win-win" and "coopetition" are very common in our contemporary business lexicons. But in many cases, firms fail to separate the necessity of preserving their industries from developing individual survival strategies. They become docile and follow one another. From wireless carriers to broadcast TV, casinos to airlines, we often see an ordered communality within industries. They move in packs regarding features, services, and prices.
This carries a major risk: an entire complacent industry can be attacked from the outside. It's not easy, but when it happens, it often reshapes an industry, with major consequences to the old players. In his classic "The Five Competitive Forces That Shape Strategy", Michael E. Porter showed how you don't see much innovation when "degree of rivalry" is very low in an industry. Why? Because the entrenched players are depending largely on a communal strategy. Industries where the players are not innovating are easily disrupted by new entrants.
Industries cannot drive consumers as easily as they used to. The customers have more information and exert much more influence in the market. Technology disrupts our needs a lot faster and makes it possible that trends arrive and fade quicker. This is in line with my earlier post that focusing on customer needs is a recipe for disaster; rather, firms must focus on meeting the perception of customers. As social media, technology, and globalization better inform consumers, firms must resist the urge to herd. When everyone does the same thing, new ideas will easily attack the entire industry, not just a particular firm. How did the foreign car brands take away market share from the U.S. Big Three? They built smaller cars and that alone was enough. It might have been harder if Ford, Chrysler, or GM followed different strategies. The foreign brands had only one strategy to beat.
In the airline industry, we have seen Ryanair and other budget carriers in Europe disrupt the industry with very low prices that took market share from the traditional carriers. Sometimes firms give customers more when they should give less, and vice versa. Mastering that balance helps a firm lead and differentiate in its industry. If you provide a competitive price and take away some services, customers will adjust accordingly to your clear differentiation. But if you align your strategies to what everyone else does, be assured that a single business bullet will take you all down.
Ndubuisi Ekekwe is a founder of the non-profit African Institution of Technology. He recently edited Nanotechnology and Microelectronics: Global Diffusion, Economics and Policy.

7 Twitter Strategies for Growing a Great Following


social media how to
You’re likely on Twitter. But are you connecting with the right people? Do you want to build a quality Twitter following? If so, keep reading.
In this post we will explore sometimes obvious, yet seldom implemented, techniques of building a following on Twitter as well as few methodologies you may have not considered but should find quite useful.
The inspiration for this post came from the book Twitter Power by Joel Comm.
Let’s get started.

#1: Look for people you already know

This one is a no-brainer but it often goes unexecuted.
find friends on twitter
You can tell Twitter to cull the list of contacts from your existing accounts on Gmail, Yahoo, AOL and LinkedIn.
This method is limited to web-based email and unfortunately there is no simple way to search your Outlook contacts for Twitterers.
But there is a way around that:
  1. Open a free web-based email account such as Gmail or Yahoo! mail (if you don’t have one already).
  2. Export your contact list from Outlook and import it into your new account. Your new mail service will explain how to do it, but it shouldn’t take more than a few minutes.
Done! Now you can go back to “Find Friends” and pull your newly created contacts into Twitter.
You’re unlikely to pick up thousands of followers in this manner, but there’s a good chance that you’ll be able to add a few new readers, and there’s an even better chance that those people will follow you in return.
There are additional implications, of course.
Because these are your personal contacts, they’re likely to pay closer attention to you, place you in a list of “real people” and are probably more inclined to retweet you.
Not to mention that this is a very effective way to re-ignite a long-term but atrophied relationship. These are all good things.

#2: Twijazzle your blog

Making your tweets part of your blog gives your visitors a quick snippet of what you’re all about. It’s an easy way to make a good first impression and it creates a dynamic section for your blog.
So how do you Twijazzle your blog?
You can use Twitter’s own tool to add your tweets to your blog.
tweeterfy
Select your platform and Twitter will generate necessary code to add to your blog. Easy as 1, 2, 3.
WordPress sites got it even better.
If your blog is hosted on WordPress.com, you can add a “Latest Tweets” widget to whatever section of the website you like.
wordpress screen shot
The Widgets section will list the "Latest Tweets" that you can drag and drop in the appropriate section—like the Sidebar 1 section, for example.
If you have a self-hosted WordPress blog, options are even greater.
My favorite tool to accomplish this is Twitter Tools, which creates a full two-way integration between your WordPress site and Twitter. You can send your posts to Twitter, archive your tweets and create posts from them, all thanks to this wonderful little piece of code.
What does this all look like once everything is set up?
It should look a little something like this (see arrow).
latest tweets
Here's an example of Twitter Tools in action.
My friend Phil, who is an awesome web designer, blogger and brilliant thinker, was nice enough to set up Twitter Tools on his blog so we can see it in action.
Quote from Twitter Power: “If your blog is getting thousands of users every week and only a small fraction of them actually follow you on Twitter, you can still end up with a massive number of followers using this method.”
Amen, brother Joel.

#3: Pay your followers

In other words, create an incentive for potential new followers to click on that “Follow” button.
Quote from Twitter Power: “Giving away freebies is a marketing standard. You create goodwill, let potential customers try your products before they buy, and build a list of clients that you can draw on in the future.”
In the book (Twitter Power), Joel cites an example of this: @fitbizwoman.
fitbizwoman
Here Angie is offering a free ebook of 120+ recipes for making healthy smoothies to her new followers.
Although Twitter Power recommends this strategy, I don’t believe it to be effective for acquiring new followers.
I think it’s a great strategy for getting people signed up for your blog, but not for Twitter.
Angie is no longer using that particular bio, which I believe is a testament to the ineffectiveness of “paying” your Twitter followers.
new bio for fitbizwoman
The new bio is focused on what Angie is about. I think this is better aligned with what Twitter is about and judging by the number of followers, it seems to be working.
Perhaps a better strategy is to focus on not losing your current followers by rewarding them with discounts, special offers and the like.
Another strategy relevant to “not losing your current followers” is to appreciate and not take advantage of your existing followers by being too salesy.
Focus on the needs of your followers.
  • Sometimes what they need is a good chuckle.
  • Sometimes they want to see a human behind the tweet (behind the company).
  • Sometimes they want to see you help them with their cause (retweet).
Want to know how good (or bad) you are at keeping your followers?
You can use Who Unfollowed Me to track and trend how many Twitter followers you’re losing over time.
So how do big companies reward their followers?
I base the following statement on my observations alone, but I believe that people follow Dell with the explicit expectation of receiving discounts. Dell probably isn’t the only one, but it’s a perfect example that comes to mind. I’m sure that Dell has generated new followers due to their exclusive discounts offered only via Twitter.

#4: Join a conversation

This one is also a no-brainer, yet seldom executed. Also, it’s a very effective way to deepen the connection with existing followers and generate additional high-quality followers.
How?
  • Answer a question your follower asked… brilliantly.
  • Participate in a topic your followers are engaged in.
  • Tap into your audience’s potential by asking questions.
“Larger” topics are usually #hashtagged and can be isolated in your tweet-stream by using Tweet Chat.
tweet chat
It not only helps you generate followers, but in addition, it does this by first creating a familiarity and depth before "the follow" occurs.

One final word of advice: Don’t try to force a conversation topic. You don’t have to start your own hashtags nor work on creating a buzz around your desired subject. Simply go with the flow and join existing conversations and try to be useful.

#5: Integrate your social networks

One of my favorite things to do is to bring my relatively superficial relationship that germinated on Twitter and deepen it by becoming friends with someone on Facebook. Conversely, taking a Facebook friend over to Twitter will provide a persistent and light contact over the long haul. All good things.
How many of you have taken it a step further and actually met your online friends in person? I’ve done it with brilliant results and highly recommend it.
How do we integrate Twitter with Facebook? Bring your tweets into your Facebook profile using widgets.
twitter to facebook
Official Twitter method of integrating Facebook and Twitter.
You don’t want ALL of your tweets appearing on Facebook? OK, I get it. Selective Tweets to the rescue.
selective tweets
I discovered Selective Tweets via AJ Vaynerchuk who is da man.
AJ Vaynerchuk’s How to Link Twitter to Facebook article is short and sweet and has usefulness oozing off the monitor.
Quote from Twitter Power: “Because each social media site offers different features and works in a different way, by making them all work together you make sure that you’re sharing the audience between each site.”

#6: Put your Twitter name in your signatures

You wouldn’t carry around a business card without your phone number on it, would you? So why would you send an email without your Twitter handle in it?
No need to go on and on about this point except to say that you can add your social media contact info to your email signature automatically using WiseStamp for Firefox. (You’re not still using IE, are you?)
Just kidding, IE users. The fine folks from WiseStamp are actually working to get it integrated with IE.  It’s already integrated with Chrome. Find out more here.
Once installed, this is what it’s going to look like.
wisestamp signature
Pretty neat, huh?

#7: Run a contest

Not only does this help keep your existing followers engaged, but it’s also likely to generate new followers once the awesomeness of your contest is known far and wide.
This strategy is powerful because it can act as a super-carrier for your other strategies.
The contest can be:
  • Integrated in your blog (Strategy #2: Twijazzle your blog)
  • A way of rewarding your followers (Strategy #3: Pay your followers)
  • A spark for a conversation and might generate significant buzz on Twitter, assuming the contest is amazing (Strategy #4: Join a conversation)
  • Used to bring your Twitter followers to your Facebook fan page or vice versa (Strategy #5: Integrate your social networks)
I hope these seven strategies have sparked some ideas for generating a following on Twitter.
These strategies are brilliantly presented in the book Twitter Power by Joel Comm. The book has many other useful tips, tricks and techniques that any Twitter user should find valuable.
What is your favorite strategy for engaging your Twitter followers? What strategy do you find most effective? Leave your comments in the box below.
About the Author, Dino Dogan
Dino Dogan is a blogger, writer, motorcyclist, dog trainer, singer/songwriter and martial artist. He's currently working on Human-Dog Problem Tree, a thesis in human-dog relationships. Tweet him up at @dino_dogan Other posts by Dino Dogan »

How the Fashion Industry Is Using Digital Tools to Increase ROI


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Yuli Ziv is the founder & CEO of Style Coalition, a network of independent online publishers in the fashion and lifestyle vertical, based in NYC. She blogs on social media, entrepreneurship and tech at YuliZiv.com. Follow her on Twitter @yuliz.
The fashion industry has deep roots in traditional business practices and has been late to adopt new technology. Nearly every aspect of the industry relies on people rather than machines — everything from hand-sketched designs to the buying process, where an individual buyer’s personal tastes can dictate an entire department store’s orders.
In the past few years, we’ve been seeing all aspects of the industry suddenly affected by new technology, increasing efficiency and providing much needed data analysis and tracking components. Instead of relying on people to analyze, project and improve, fashion brands now have the digital technologies to meet these needs in a much faster way.

1. Buying Process: Crowdsourcing Styles, Better Projections


Until recently, fashion retailers relied on the expertise of merchants and buyers to use their best judgment to identify which designs have the most commercial potential. Historical sales data never resulted in consistently better merchandising decisions, because it doesn’t add much value in making forecasts for trend-driven product categories. In fashion, what merchants and buyers require is information or data about what’s going to happen, not what already happened.
These days, companies like StyleHop are allowing fashion merchants and buyers to leverage crowdsourcing to get forward-looking, fast-turnaround, predictive analytics that dramatically improve their style picking capabilities. One collective intelligence company in the fashion space has conducted pilot research that shows, when done correctly, crowdsourcing can improve product selection by more than seven times. Leveraging collective intelligence helps retailers pick more productive inventory, leading to lower markdowns, higher profits and a better selection for fashion-hungry consumers.
FashionStake is solving the same issue with a different approach. It allows customers to invest in a designer or a brand by pre-ordering the items. That way, the company allows the designers to produce to order, instead of pushing quantities that may not sell later. This minimizes the risk and allows informed planning of the produced quantities.

2. Online Shopping: Smarter Tools Mean Fewer Returns


One of the major challenges that most online retailers face is the high percentage of returns; things don’t fit right, the quality of the material is off, or the customer just doesn’t like it. But there are a few companies in the space who are trying to solve the issue by providing more accurate measurement tools and personalized user profiles.
MyShape, one of the pioneers in the space, developed a patented technology that matches shoppers with items that correspond to their personal measurements and preferences, solving the age-old problem of finding clothes that fit and flatter for millions of women. In 2009, MyShape introduced Sizeless Dressing which allows women to skip the size labels with the assurance that each piece of clothing they purchase will fit and flatter them. With vanity sizing so prevalent in today’s market, it is often near impossible to guess what size you are from brand to brand.
The newly launched Estonia-based Fits.me is getting lots of buzz these days, after launching with the retailer Hawes & Curtis. Fits.me is a Virtual Fitting Room that helps to solve the single biggest problem for apparel e-commerce: that consumers can’t try the clothes on before they buy. The site’s shape-shifting robotic mannequin takes your body measurements and mimics your shape so that you can see exactly how clothing would fit you. The site has been such a success that online German retailer Quelle saw three times the clothing sales and reduced returns by 28%.

3. Online Shopping: Customization Yields Better Sales


When it comes to the actual shopping experience, customization and personalization seem to be the one area where fashion retailers are lagging. But companies like Amadesa are providing a set of solutions targeted at increasing ROI, or simply saving the number of clicks until purchase. From shopping cart optimization to relevant product recommendations and end-to-end testing, Amadesa is helping online retailers convert online window shoppers into actual paying customers. New technologies such as A/B and Multivariate Testing, which didn’t exist in retail stores, let customers’ online actions determine what works best. Now retailers can test images, promotional copy, offers, and a myriad of other elements to improve ROI.

4. In-store Shopping: Collecting Data to Maximize Purchases


Just like Amadesa is tracking and analyzing online shoppers, other companies are taking on the challenge at the actual stores, with the help of new mobile technologies. Until now, stores had very little data about shoppers and their experiences, unless a transaction had been made. With the increasing popularity of location-based mobile technologies, retailers are able to track their customers, virtually communicate with them, and of course offer promotions. The two main players in this space offer different approaches.
Novitaz created a complete platform for tracking and managing in-store customer experience by offering a unique device with an active-RFID chip embedded into a credit card or loyalty card, which shows consumer location. It also requires a mobile phone to communicate with the consumer. The platform provides session metrics about consumer preferences, which can then be compiled into a customer profile so later offers can be tailored individually.
Another company competing for the personalized offers offline is ShopKick. Instead of supplying the customer with a special device, it relies on their existing mobile phones. In this case, the main implementation is done on the retailer’s side — ShopKick installs devices in-store, similar to Wi-Fi access points, and the device sends inaudible audio signals, which interact with a phone’s microphone. The offers get sent to the phone, which include the ability to earn points, Facebook () currency, song downloads, and instant gift cards that can be redeemed in-store.

5. Media Coverage: Tracking Influence on Sales


All of the solutions above are optimizing the customer ROI, but what about tracking and optimizing media and press? Historically, media coverage has been a major catalyst of retail sales, with magazines dominating the trends for years — making or breaking items simply by featuring them on their glossy pages. Today, the landscape is more complicated, as online press and the proliferation of fashion bloggers are now just as responsible for a major spike in sales. The question is, how do brands keep track of all these media outlets and how do they measure the influence of one versus another?
Fashion GPS is addressing the issue and is truly revolutionizing the space by allowing brands to manage and track all their media connections in one dashboard. Recently, by becoming the official partner of IMG and Mercedes Benz Fashion Week, the company brought the analytics into more than 80 runway shows produced in New York last month.
By integrating bar coded invitations, Fashion GPS was able to track ROI for quality (and track loyalty) of attendees compared to the cost of show production. Brands were able to automatically track media members and the fashion shows they attended, thus keeping a record of their attendance for future reference. In the future, the company plans to add an option to also track media output per media attendee. This will help brands understand which media players are most valuable to their brand image.
This system creates a loop in the fashion show cycle by determining where the dollars should be invested: who should be invited to shows based on their value to the brand (their editorial output or publicity created) and who should receive priority both in terms of invitations and honoring sample requests in the future.

More Fashion Resources from Mashable:


- How Social Media Has Changed Fashion Week
- HOW TO: Follow Fashion Week Online
- HOW TO: Score the Best Fashion Deals on the Social Web
- 14 Sites Changing the Way We Shop
- 10 Essential Accessories for the Fashionable Geek

Managing Yourself: What’s Your Personal Social Media Strategy?


The CEO of a global technology firm was invited to lecture at a local university on the future of the internet. After his presentation, a student in the audience asked him for his views on network neutrality: the idea that internet service providers shouldn’t base their prices on the content their customers access. The CEO answered candidly, arguing in favor of price discrimination based on content; there was an engaging exchange; and he left satisfied with his visit.
Little did he know that, in the coming days, his semiprivate comments would enter a very public realm—the blogosphere—unleashing a storm of controversy around him and his company. (For confidentiality, names have not been revealed.)
The executive had no active social media presence—no profile on Facebook or LinkedIn, no Twitter account, no blog on the company’s website. He had decided that social media weren’t “his thing.” In fact, he became aware of the buzz over his comments only after some people in the company had alerted his communications group. There were lengthy discussions about whether and how to respond. Customers and other stakeholders were participating in the debate online, arguing strongly in favor of net neutrality. Employees were watching. Should the company issue an official response to comments made in a private setting? Could the CEO wade into the public discussion when he had never been active in the blogosphere and had no other social media platform? In the end, he and his team did nothing, leaving everyone feeling frustrated and helpless.
For a comparison, consider the ease with which Tom Dickson, founder and CEO of small U.S. blender manufacturer Blendtec, uses social media. Until 2006, few people had heard of Dickson; today, there aren’t many business owners who haven’t. That’s because Dickson is the star of the Will It Blend? series of YouTube videos, in which he subjects a host of objects (marbles, computer games, an iPod, an iPhone, an iPad) to the sharp blades of his products. Thanks to the campaign’s popularity (the iPhone-blending video has been viewed more than 9 million times), Blendtec’s sales have increased sevenfold in the past three years—impressive when you consider that each video lasts only about two minutes and is produced for a few hundred dollars.
Dickson, a grandfather, had no idea what YouTube was when his marketing director pitched the video idea. Now he is an internet rock star—a popular radio and television guest (with appearances on The Tonight Show and Today), a sought-after speaker on viral marketing, and a frequent participant in music videos and other companies’ advertising campaigns. Thanks to the internet’s global reach and his affable, down-to-earth manner, Dickson has developed a strong personal brand. Employees are proud of the recognition Blendtec has received, and thousands of fans have sent suggestions for his next video. How many CEOs of the Fortune 500 can claim such connection with the people they want to influence?

A Connected World

It’s no secret that social media—global, open, transparent, non-hierarchical, interactive, and real time—are changing consumer behavior and workplace expectations. As a result, the best businesses are creating comprehensive strategies in this area to support their goals. However, my research on the organizational implications of social media and consulting work with dozens of companies in America, Europe, and Asia suggest that it is taking longer for corporate leaders to consider what the new paradigm means for them personally.
Take the world’s leading CEOs as a sample. According to data from Fisheye Analytics, the top 50 chief executives (as identified by Morten T. Hansen, Herminia Ibarra, and Urs Peyer in “The Best-Performing CEOs in the World,” HBR January–February 2010) are increasingly discussed in online venues, but few are using social media to spread their own messages: Only 19 were on Facebook, only six had a LinkedIn page, and only two—Google CEO Eric Schmidt and former Norilsk Nickel CEO Mikhail Prokhorov—were tweeting or blogging (although some used their corporate pages for blogs). Anecdotal evidence suggests that the story is the same for leaders below the CEO level and that even those who have a social media presence aren’t using it strategically. That is a mistake.
Today’s leaders must embrace social media for three reasons. First, they provide a low-cost platform on which to build your personal brand, communicating who you are both within and outside your company. Second, they allow you to engage rapidly and simultaneously with peers, employees, customers, and the broader public, especially younger generations, in the same transparent and direct way they expect from everyone in their lives. Third, they give you an opportunity to learn from instant information and unvarnished feedback. Active participation in social media can be a powerful tool—the difference between leading effectively and ineffectively, and between advancing and faltering in the pursuit of your goals. You can use this tool proactively, as Dickson did, or reactively, as the technology CEO could have done.
Copyright © 2010 Harvard Business School Publishing Corporation. All rights reserved.
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Written By

Soumitra Dutta () is the Roland Berger Chaired Professor in Business and Technology at Insead and the academic director of Insead’s Elab. He is the coauthor of Throwing Sheep in the Boardroom: How Online Social Networking Will Transform Your Life, Work and World (Wiley, 2008).

Why Facebook's New Messaging System Could Hurt Music Marketing


image from t3.gstatic.com Yesterday, Facebook announced their own "modern messaging system" that combines email, text messaging, and instant messages into a single stream that founder Mark Zuckerberg says goes well "beyond email".  The new service, which will debut Monday with an iPhone app and roll out over the next few months, mimics the behavior of teens who are already abandoning conventional email to converse across multiple platforms in short bursts. But Facebook Messaging could also make social music marketing more difficult. Here's why:
Messages May Be Filtered Out - While a Facebook.com email address is offered, it's not required. Whatever the source of email, Facebook promises to use "Friends", "Likes" and other clues to filter email. So a fan who signed up for a band's email updates, could find their emails automatically shuttled into an "other" folder if they have not also friended the artist on Facebook.
Facebook says that their system will get smarter over time, so that people that aren’t friends on Facebook but communicate often will show up in the stream. How repeated one way communications like email newsletters will be filtered or allowed to pass into the users main stream is unclear
Too Much Of The Same - A major selling point of the Facebook's system is that it unifies email, SMS, IM and Facebook messaging into a single stream somewhat like Google's failed Wave.  But that means that artist and marketers who automatically post the same updates to multiple channels risk overloading users of Facebook Messaging.
Is There A Solution? - It's important not to judge a system that no one has used, and its likely that some of Facebook's new features will actually enhance the artist/fan relationship.  But a first look at Facebook Messages should encourage artists and music marketers to step up their friending efforts now to avoid flitering later and to closely monitor future developments.

Thursday, November 11, 2010

@edota @bigdealbills @hopdagreat @1shotdot @gangland_2010 all... on Twitpic

@edota @bigdealbills @hopdagreat @1shotdot @gangland_2010 all... on Twitpic

hootsuite

HootSuite (once BrightKit) got a number of unique features, which you’ll either love or find totally frivolous. You can manage multiple accounts, logging into one or several at a time. You can schedule your tweets, to go out at a later time (perfect if you schedule your blog posts for after you write them), and even track your links – as long as you use HootSuite’s own owl.ly shortener.
There’s also a bookmarklet, for quickly sharing pages you’re into. You can even add users to your account, if you have more than one person managing your account. HootSuite’s definitely built for businesses looking to manage and track their tweets, and brand themselves with Twitter. It’s great for anyone, though, and is the one I’ve started using the most.

 www.hootsuite.com
 
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Impress your friends, your boss or just yourself with our improved visualizations link statistics. Graphs show not only a summary but also individual message statistics!
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Multi-Stream View
Never miss an update with HootSuite's multiple streams feature. Organize your social networks into friends, news, search terms, keyword tracking - whatever you like!
Our drag and drop feature allows you to easily move individuals into list streams.
Play Demo
Tabbed Layout
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The new tabbed layout takes networking to new heights. Organize and customize your social network experience.
Within each tab, you are able to create up to 6 streams. Drag and drop your tabs for easy organizing.
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Manage Followers
Manage Followers
See who's following you and who you're following, see their Klout score and manage your Lists. Easily gather your most important followers into a List of their own.
Wordpress Integration
WordPress Integration
View, manage, schedule and post directly to your WordPress blog from HootSuite.
Message Drafts
Message Drafts
Save what you're writing for later or simply save messages that you use often.
Ping.fm Integration
Customize Urls
Add custom link parameters for tracking clicks and gathering information on your audience.
File Uploads
File Uploads
Upload images and files right into your messages. The files are instantly converted into super-short Owly links for space saving and easy sharing.
Schedule Tweets
Schedule Tweets
Provide rich, nourishing content to your followers at any time of day using the HootSuite tweet scheduler. Pre-schedule anything you like, from radio programming to birthday well-wishes. Or, tweet live!
Twitter Lists
Twitter Lists
Now you can create customizable streams for your friends, groups or topics of interest! Add users through their @username or drag and drop them from other streams! Hoot!
Print and Export Stats
Print and Export Stats
Now you can take your link stats with you, export CSV data to your favorit data crunching program or just print off the graphs for maximum portability.
Secure Login
Secure Login
Credentials are now more secure than ever with all login information passing via encryption from your browser and through our servers.
View Threaded Conversations
View Threaded Conversations
Know what Tweet your followers are replying to with our threaded conversation.
Ping.fm Integration
Ping.fm Integration
Update all of your social networks with a single update! HootSuite with Ping.FM allows you to update your Facebook, Wordpress, MySpace, LinkedIn and more.
Embed Streams
Embed Streams
Want to feed the chatter from a customized Twitter stream somewhere else? Now you can grab code from HootSuite to easily embed Twitter search streams in your blog or website!
Feed Your RSS
Feed Your RSS
Like to feed your blog or website through your social media streams? Tis easy! Automatically feed your RSS to your stream with HootSuite!
Auto Refresh
Auto Refresh
Keep on top of new tweets, automatically. The auto refresh feature continuously updates your Twitter streams.
Notifications and Alerts
Notifications and Alerts
Know exactly when you get new tweets with our flashing title notification and optional audio alert!
View User Info
View User Info
Easily view users' details without being taken to a separate window! Click on their username or avatar to view an in-screen popup to view their detailed bio, follow them, or add them to one of your groups.
Clickable Hashtags
Clickable Hashtags
Check out what others are saying about a #topic with clickable hashtags.
Report Spam
Report Spam
Keep spammers off Twitter by clicking their username and the "Report Spammer" link on their bio popup.

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